This is how I see it. Poetry is a bird song, uttered so, for it spouts from the heart, and is similarly
written down. Having a writing device on the ready is a handy habit, for
words may rush in anytime. A common feature of a poem is its flow and
spontaneity.
The first draft is usually the crux of it. Polish, in the form of attention to meter, rhyme, paragraphing, punctuation, grammar, spelling and an appropriate title usually follow in subsequent drafts. While I mentioned grammar in the last sentence, a poem can have its own language. Unlike prose, a poem may not be bound to any structure.
The first draft is usually the crux of it. Polish, in the form of attention to meter, rhyme, paragraphing, punctuation, grammar, spelling and an appropriate title usually follow in subsequent drafts. While I mentioned grammar in the last sentence, a poem can have its own language. Unlike prose, a poem may not be bound to any structure.
There is no end to the themes that poets
have chose to write on over the centuries. Now, if we were to
encapsulate all the poems ever written into two sections, what would
they be? Here we trail Urdu poetry and its branching out into two -
there is the ghazal where poets tend to self-reflect and look inwardly. Then there is the nazm where
observation of the outwardly world is the central theme. This division
can be applied to poems in general, if only for the purpose of
differentiation and documentation.
Enough talk. To conclude, here is the
poem that was first published in the September-October 2011 issue of
Reading Hour Magazine with the title ‘Pang’. It is presented here with
edits:
Fragrance
by Snehith Kumbla
the music of a drizzle,
wet smell of earth
a sun scattered face,
some winter morning
the moonlight walks
with me, at dusk
sleep glows in
a deep cave
I dwell on you...
by Snehith Kumbla
the music of a drizzle,
wet smell of earth
a sun scattered face,
some winter morning
the moonlight walks
with me, at dusk
sleep glows in
a deep cave
I dwell on you...
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